The conception of poet and poetry of Yusuf Hakiki Baba

Basit Öğe Kaydı
dc.authorid0000-0002-1276-3406
dc.contributor.authorGümüş, Kudret Safa
dc.date.accessioned2019-10-30T11:24:47Z
dc.date.available2019-10-30T11:24:47Z
dc.date.issued2019
dc.departmentSabire Yazıcı Fen Edebiyat Fakültesi
dc.description.abstractPoetic is a term that contains the rules of the poetry school to which poets belong while they write their poems. The studies which have executed concerning their conception of poetry by examining the poetry tradition of each poet is important in order to reveal mental infrastructure of poets. When the Diwan poetry take into consideration, the subject of poetic is able to be analysed through some poems in which contain poetical elements such as tezkires, introduction of diwan, parts of fahriye in odes, pseudonymous couplet of the ghazals. Poets have referred to various arts and a large number of mazmun in their diwan in order to emphasize beauty and effectiveness of their poems, thus they have reflected to their views on poetry and poetry in their works. The works which reflect the life vision of the Ottoman poet and therefore his mystical viewpoint that dominates his poetry present mental infrastructure of the Ottoman society. Sufi poets, they stated first of all that it should be meanings in poetry, and they write their works by acting on this axis. Poets expressed that their poems can not be understood by moving from words, will have just comprehended by Erudits who look through the heart eye. In this case; The view about poetry and poet of each Sufi poet should be exam the poetics of Ottoman mystic poetry should be introduced by aid of inductive approach fined and the poetics of Ottoman mystic poetry must be put forward by aid of inductive approach. In this work; ideas about comprehension of poet and poetry of Yusuf Hakiki Baba, sufi poet and representative of Bayrami-Melamism in Aksaray, were tried to be revealed. As a result of the analyse of the diwan of poet, last couplets of ghazals, parts of fahriye in odes and poetic couplet or bents have shed light on us during research. The aim of this work concerning comprehension of poet and poetry of Yusuf Hakiki Baba, representative of Bayrami-Melamism in Aksaray, is to explain how the poet defined both terms.
dc.description.abstract...
dc.identifier.endpage177en_US
dc.identifier.issue-en_US
dc.identifier.startpage153en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12451/6924
dc.identifier.volume46en_US
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.language.isoen
dc.publisherSelcuk University
dc.relation.ispartofTurkiyat Arastırmaları Dergisi - Journal Of Studies In Turkolog
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.subjectDiwan Poetry
dc.subjectSufism
dc.subjectPoetic
dc.subjectYusuf Hakiki Baba
dc.subjectAksaray
dc.titleThe conception of poet and poetry of Yusuf Hakiki Baba
dc.typeArticle

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